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“Let’s play two.” -Mr. Cub, Ernie Banks

I grew up in the shadow of Wrigley Field, which, though now hard to believe, was a sketchy neighborhood at the time. It was really only safe during Cub’s games. But on those days it seemed the sun always shone. If you weren’t at the game you could hear it blaring on “Chicago’s own” WGN, from literally every open window and door. Back then kids like us would catch the players after a game walking to their cars. Ron Santo. Don Kessinger. And of course, Mr. Cub, Ernie Banks. Even after losing, which was often, he’d smile and sign an autograph. Wish I still had mine.

Ernie Banks died last year. in honor of his team’s first World Series birth since 1945 (an event he sadly cannot see and one in which he never participated) here is a reprisal of some words I put together after his passing. Among other things, it perhaps sheds light on how a team so mediocre for so long retains its loveable mystique.

During his Hall-Of-Fame career in baseball (if not his lifetime) one likes to think Ernie Banks was without sin. He was not only a superior ball player but by all accounts was a superior man as well. Always happy. Always grateful. Always willing to sign an autograph, even after losing, which the Chicago Cubs did often. Granted he played before the prying eyes of social media but Chicago’s sportswriters were not known for their subtlety. If he’d been a cheater or a bad dude chances are we would have heard about it.

Contrast him with what we now have going on in the NFL and professional sports in general. Like night and day, right? Unlike Ray Rice, Barry Bonds or Tom Brady, Ernie Banks played for a perennially losing team. Yet, it seemed, he was always smiling. “Mr. Cub” also was a black man playing in a sport that, when he started, still had a “Negro League.” That could not have been easy. Yet, where was the defiance and even the attitude? Can you imagine Ernie Banks yelling into the cameras like Richard Sherman –a multi-millionaire who had just won the biggest game in sports? No, we cannot.

Before one states that Ernie Banks played in an era when things were proper and pleasant think again. His peak years were during the 60’s. The Viet Nam War could not be more damning and contentious, rivaling and surpassing much of what we’re now experiencing in the Middle East. At home, Civil Rights were being fought over in cruel and bloody fashion. Stuff like Fergeson, Missouri was happening on a daily basis. Ernie played during an equally tumultuous time. Yet, as far as we know, he was a peaceful man who kept his dignity. Like no other man, he truly made Wrigley the “Friendly Confines.”

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The paradoxical Chicago Cubs. The brand succeeds even when team doesn’t.

Can “sucking” be a brand virtue? The notion seems counter-intuitive but I wonder if in some cases sucking might actually benefit a brand.

I should define sucking. For the purpose of this discussion, I mean the act not being good. For example, I suck at golf. I can’t even hit a ball off the tee. Thankfully, this fact does not harm me in any particular way. I am not expected to be good at golf. God’s plan for me does not include acumen for the game. If I were an account executive, one could argue my lack of golfing skills impedes my ability to cultivate important client relationships. True or false, the point is a moot one. Assuming people can be considered brands, mine is not affected one way or another by sucking at golf.

Herein lies the critical distinction for my argument. In order for sucking to be considered a legitimate brand virtue, the brand –be it person, place or thing- needs first to first be something ordinarily expected to be good but for some reason… isn’t.

Take the Chicago Cubs. Please. Here is a major league team that has not won a World Series since 1910. The last time they appeared in one was during World War II. Frankly, the Cubs seldom make it to the post season and when they do they don’t stick around very long. By most criteria, The Cubs suck. So much so they are often referred to as “Lovable Losers.”

Lovable? Well, for one thing they regularly sell out beloved Wrigley Field, no matter what their record. WGN consistently scores huge ratings for Cub’s games, despite their record. Interestingly, WGN delivers a national audience for the Cubs, sustaining and creating fans all over the country. People love the Chicago Cubs even though they suck. Why? Fans typically point out the venerable, old ballpark as a reason. The fact that the Cubs play in the heart of one of Chicago’s most pleasant and fun-filled neighborhoods, Lakeview attracts executives, pretty girls, tourists and gay people –people who ordinarily wouldn’t go to games. The Cubs are transcendent.

images-16.jpg  “The Cubs are hot!”

But one hundred years of sucking? I can’t think of any other brand that could survive under these terms, let alone thrive.

Just look at Chicago’s other professional baseball team, the White Sox. They are held to an entirely different standard. When they suck attendance drops, ratings flag, and everyone but the diehards lose interest. Like any other team in professional sports, winning is mandatory. As the White Sox’ new slogan suggests: It’s Black & White.

If the Chicago Cubs suddenly became a great baseball team what would happen to the brand? The hysteria would be off the chart. Fans would go bonkers. But then what? The Cub’s would be held to a new standard, wouldn’t they? Folks might not tolerate sucking anymore. For the first time in a long time, The Chicago Cubs would be taken seriously. And if they started sucking again, they might not be taken at all. At least not like before. Therefore, sucking can be viewed as a brand virtue for the Cubs. The brand scores precisely because the team does not. Truly a paradox, I can’t think of any brand on earth with such a hall pass. Can you?

Author’s Note: First draft of this essay was written in 2010. The Cub’s were in 4th place in their division, going nowhere. Growing up 5 blocks from Wrigley, I could not be happier for their current success. #flytheW


The swishiest fight song ever!

Despite growing up in the city of Chicago, and living here all my life, I am not a “super fan” of any our local sports teams. I like our teams but I don’t live and (mostly) die with them. And while I was raised only a few blocks from Wrigley Field, and passed it everyday on the Addison bus to Lane Tech High School, at that time the Cubs strain of sucking was particularly virulent. The losers hadn’t become quite so “loveable” yet. In addition, the neighborhood now trendily known as “Wrigleyville” was a fairly dangerous place, rife with Latino gang-bangers and transvestite prostitutes.

But I digress…

One aspect of Chicago sports I remember fondly is now making a spirited comeback. As is the team it belongs to. I’m referring to that wonderfully cheesy theme song for the resurgent Chicago Black Hawks: “Here come the Hawks!” The song was written by J. Swayzee and produced by the Dick Marx Orchestra and Choir in 1968. In the unlikely event you haven’t heard this gem, here it is, baby!

Here Come the Hawks!

Given how sugary and catchy this number is, it should come as no surprise to anyone that Dick Marx and his Orchestra were some of the most prolific advertising jingle makers of their time –of any time really. Credits include Ken-L-Ration’s “My dog is bigger than your dog,” Wrigley’s Doublemint chewing gum’s “Double your pleasure, double your fun,” Kellogg’s Raisin Bran’s “There’s two scoops of raisins in every package of,” and Dial Soap’s “Aren’t you glad you use Dial.” But my favorite from Marx’s “oeuvre” has to be the number they created for La Choy Foods; Sing it, kids: “La Choy makes Chinese Food…Swing American!” It’s ridiculously catchy, fun and silly –if not a tad politically incorrect.


The team behind the team’s jingle

The infectious spirit of all these jingles, particularly La Choy’s, permeates the giddy, sugar-coated “Here come the Hawks!” No, they don’t make ‘em like they used to. If ever that phrase applied to anything at all, it’s here.

Fun fact: 80’s pop star, Richard Marx (“Don’t mean Nothing” “Now and Forever”) is none other than the son of late composer, Dick Marx.

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