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Those of us in the creative department have asked the question so many times it has become rote. The best answer is not an answer. Clients are difficult. Period. Especially when it comes to approving work. Therefore, we expect our work to be criticized. Revisions and changes are baked into the scope. It is assumed there will be rounds of creative. We are told that if we were in our client’s shoes we’d do the same thing.

But you know what? That’s bullshit. I am far from perfect but I am usually an accepting, flexible and even grateful client. When I hire someone to do a creative job –say an architect- I never give him or her the kind of scrutiny that is always given to new marketing campaigns. For example, a contractor shows me some designs for a room addition. I tell him which one I like, we discuss time and money, and I pay the man. Once in a while I have questions or a change is required. We address it in real time, during construction. We move forward. Even when it’s my money and my house I am seldom a hard ass.

Chances are you’re the same way.

So, why are advertising clients so freaking difficult? Why all the concerns, tweaks and rejections? I think the answer is fear. CMO’s and their get are terrified (sometimes understandably) of losing their jobs. Often my counterparts at the agency feel the same way. Every tree we plant must bear fruit. Or else!

Yet, endlessly hacking at the unplanted tree virtually guarantees a fruitless outcome. Death by a thousand cuts is no different than doing nothing at all. After months of revisions, the concept either dies in a meeting or, produced, it has been so severely compromised as to be ineffective in the marketplace. Everyone gets fired anyway. Another CMO comes in. Another agency. The process begins all over again. This is the definition of insanity.

Creating campaigns is thrilling. Yet, their yield potential is and always will be unknown. Hence the thrill. ROI is as possible as it is not. No one can be sure how an audience will react to an idea until the thing is out there. What makes a client nervous might very well be what makes the idea truly great. We all know the story behind the world’s greatest advertisement, Apple’s 1984. When it was screened to dealers everyone except its creators hated it. The agency, Chiat Day was told to fire-sell the media, which happened to be two slots on the Super Bowl. One insertion never sold. So the spot ran. The rest is history. The follow-up commercial, Lemmings was a failure. Still, was Apple really hurt by it? No. Being reckless and cavalier has never hurt the brand. Frankly, Apple could stand more bravery.

It’s 2018. Why is everyone still afraid of new creative? If a concept doesn’t work merely try something else. The “brand” will be fine. Belaboring over the blueprint is an old idea. And a bad one. The digital age is about iterating. Swipe right. These days, fear and inertia are scarier than any new idea.

Author’s Note: A version of this article ran last week in Reel Chicago On that note, I am available for select writing projects.  Love to help. Let’s talk.

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