When Harry Met Humility
October 23, 2020

Toward the end of his life, in 1965, Bill Wilson, the founder of Alcoholics Anonymous put forward that his program came down to two main precepts: humility and responsibility. Admitting one was powerless. Then doing something about it. Alcohol had been the catalyst, teaching humility the hard way, through humiliation. Learning the value of responsibility began by recognizing unmanageability for what it was: chaos. Yet, that was just the first step. Sober for years, and nearing the end, Bill W was talking about more than mere abstinence. To achieve serenity, he posited, one had to be humble and responsible. Grace was thusly earned.
When you were a boy you had loved watching Kung Fu on TV. David Carradine played a peace-loving Shaolin monk, Kwai Chang Caine, who wandered the old west confronting and confounding hombres and roughnecks with his Eastern Philosophy. Caine had great humility. Unfortunately, that was not a popular attribute in Tombstone. In every episode Caine did all he could to practice humility in the face of insult, bigotry and violence. Invariably, he would get pushed too far. A bad guy would step on his little grasshopper and that was it. Caine had no choice but to kick some ass.
Thank fucking God. Otherwise Kung Fu would have been a dull meditation on passive resistance. You accepted the show’s weekly lessons in humility precisely because you knew what was coming: fists of fury and flying kicks! There wasn’t a 12 year-old boy in America who didn’t feel the same way. The bullies liked the exotic fighting. You liked the revenge. Either way blood spilled. Humility wasn’t enough. Truth is, you’ve always known the difference between humility and humiliation. That wasn’t the tricky part. The first problem with humility was that it was for sissies, because they had no choice. That and it was boring. Bill W wrote AA is a program of action. Clearly, the definition of that word had to change too.
A man spoke at a meeting, named Harry. He was a bit older than you. Wore a rumpled suit. Thick glasses. He spent much of his allotted time talking about how important wealth had once been to him. He’d been a big shot and proud of it. The house. The cars. The stuff. Counting his money, measuring his worth. He drank to celebrate victories at work, over peers and competitors alike. Drank even more to wash away failures, which of course became ever more common. Yet, he said, when he finally did stop drinking, he became even worse. “Without alcohol in the way, I could really fuck people over.” By his own admission, it took decades before he wizened up and acquired even a modicum of humility. Such was the intoxication of his pride. Listening to him share, you could still detect it. The way he mentioned his past achievements and former possessions, listing them like awards. Even after 30 years of sobriety and thousands of AA meetings he still couldn’t let go, not completely.
You could relate. You were always too quick to mention your past accomplishments, as if people were keeping score. Not so deep down you always felt they were.
Harry worked in retail now, far beneath his pay grade. Gone were the fancy cars, lavish homes and glitzy vacations. He found value by putting in a solid effort and going to bed tired. That’s what he said. He also admitted this was not easy for him. Many days he railed at his lot. Felt superior to his superiors. Beat him self up for all he had lost. Then, if he were thinking straight, he’d call his sponsor. God gives you what you need, Harry, the man would tell him. You’re responsible now. You’re practicing humility.

Most of the television shows and movies I watch contain a preponderance of alcohol, tobacco or drugs. Many of them are integral to the plot itself. Platforms like Netflix and Hulu (among many, many others), free and clear of network restrictions, opened Pandora’s Box in terms of sexual and violent content. To say nothing of the Internet.
Some of the most popular and/or critically acclaimed shows on any screen are predominantly about illicit drug use, alcoholism and related topics: Breaking Bad (Methamphetamine), Shameless (ETOH) and Euphoria (<ATOD) One needn’t be a pearl-clutcher to say it’s difficult finding mass-appeal content that doesn’t feature ATOD’s.
But I tried.
“PEN 15” is a serial on Hulu about two awkward adolescent girls navigating the perils of middle school. The conceit is that the two leads are actually adult women playing themselves from that time period. It’s actually pretty good.
In the episode I watched the two girls find them selves hiding in the girl’s bathroom at school to avoid bullies (a constant threat for them), when they find a cigarette on the floor. This lone cigarette proves to be a catalyst for all manner of awkward, ridiculous and potentially scandalous ADULT behavior.
Later, the girls are playing with dolls together when their entire childhood gets called into question. Old behaviors suddenly seem boring to them –childish.
They toss the dolls onto the floor and reach for the cigarette.
But in order to smoke it they will need a lighter. So the girls decide to dress up to look older and this becomes a whole scene onto itself. Using makeup they took from their parents and the “flyest” clothes they can muster, the “ladies” glam up in order to venture to the corner store in their neighborhood. They believe looking older is necessary in order to purchase a Bic lighter. There, one mocks a child who is line with his mother for being “with his mommy.” The two adolescents ape all manner of supposed older behavior –costume, makeup, attitude- all because of the still un-smoked cigarette they found in girl’s bathroom at school.
As it has been for countless adolescents, the cigarette symbolizes adulthood. PEN 15 (a combination of characters intended to mimic “penis”) is a coming of age comedy and the cigarette portends all that await these two awkward kids on the cusp of being teenagers.
The show then introduces another concept familiar to every kid who ever got the talk about ATOD: that smoking cigarettes is a gateway to even more scandalous behavior. The girls show up at the hangout of a group of 8th grade girls and ask if they can join them “to smoke.” The older girls invite them in. After a lot of posturing (in order to impress the older kids) one ends up chugging a beer. The other tries a whippet (inhalant) and passes out.
Not only has the still-unsmoked cigarette lead to alcohol and inhalants it has also presented the viewer with a classic case of peer pressure and its effect on young people regarding drinking and using drugs.
Then the boys show up. In a painfully awkward scene each boy chooses a girl ostensibly to pair off and make out: the ultimate taboo! The two girls reluctantly pair up with two boys and, while they don’t “hook up” per se, the promise of illicit sex hangs in the air. We see brief scenes of the 8th graders canoodling in the dark.
A parent shows up and “busts” the party before anything else occurs. The two hero girls end up taking the fall for the beer and bad behavior. A be careful what you wish for moment for the two aspiring teenagers. Here, getting busted is also an iconic plot point in the age-old tale of experimenting with drugs. In shows like Breaking Bad and Shameless people get arrested or even killed for getting caught, Of course, in this story nothing like that remotely happens. The two are sent home to their mothers.
Handled briefly here, a poignant scene featuring one of the girl’s mothers frowning sadly at her daughter. She does nothing but walk away. Yet, her silence speaks volumes, more punishing to her child than a scolding. A parent’s disappointment is yet another trope in such stories (and in reality). The sad, helpless mother is an indelible part of the ATOD narrative.
The final scene of the episode has the two girls back in their playroom… pondering the unlit cigarette that started it all. They decide to put it away in a jewel box, saving it for another day. They resume playing with their dolls. Roll credits.
To be sure, the ending is sweet. Yet, it’s interesting to note that they do not dispose of the cigarette but rather hold onto it. The butt caused them nothing but trouble yet the trouble was a shared memory of an adventure that bonded the two girls. Romanticism is an inextricable part of ATOD’s. Always was and maybe always will be.
Mustard Seed Epiphany
September 29, 2020

Start small…
.
“I had an epiphany.” Far from spontaneous, you are looking forward to discussing it with her.
“Do tell,” she replies. “I’m all about the epiphanies.” Mia peers at you from behind a large coffee mug. The image would make a good shrink Emoji.
“Do you know the biblical story regarding the mustard seed?
Mia nods. “It’s an allegory. Something about inauspicious beginnings.”
You snap your fingers. “That’s the one. The Kingdom of Heaven is like a grain of mustard seed… I take it to mean great things can come from the tiniest of starts, like faith in God.”
“Are you born again?” Mia asks, feigning surprise. She knows you too well.
Her sarcasm does not deter you. “I believe we all plant mustard seeds knowingly or unknowingly. Acts of kindness. Helping others. Practicing these principles in all our affairs.”
“Okay…” Mia purses her lips. “But I’m not sure that constitutes an epiphany?”
“Hear me out. Most people think being of service means action. Something one does. Like giving money to charity. Meeting another alcoholic at Starbucks.” You pause. “But what if it also meant something you don’t do?”
“Like not drinking?”
“Exactly. But that’s only the beginning.” You polish off the last of your Red Bull, which explains your exuberance, part of it, anyway. “Not taking sides. Not criticizing. Not trying to be right all the time. Listening instead of talking. Not being that guy anymore.”
Mia nods. “I’ve noticed the difference,” she says. “Your anger has abated considerably since we first met.” She leans toward you. “I’ve told you this before.”
“But I didn’t really believe you. I’m suspicious of my own progress.”
Mia sighs. “You don’t accept praise well.”
“Never have.” Which is odd, given how much I’ve always sought it out. But I’m learning. Instead of deflecting a compliment by saying something sarcastic I’ve learned to say thank you. That’s my point. My epiphany. By not reacting I’m, in essence, acting. Does that make any sense?”
“Doing nothing is underrated,” Mia says. “Especially given the reactive culture we live in today.”
You roll your eyes. “It seems like everybody offends everybody. Trolling. Protesting. Where does it end?”
“I’m afraid it doesn’t.”
“Well, it will with me.” You throw your hands into the air. “Let the world trample all over itself. I’m done.”
“Hallelujah!” Mia exclaims.
“Hallelujah.”
Sometimes Grace
September 22, 2020

Leaves in the pool…
You always try and view the Program through the eyes of a newcomer. Though many members feel otherwise, for you listening to the old timers has limited value. The rawness of someone in his first 30 days is why you keep coming back. You haven’t had a drink in 14 years and gave up pills soon after. You are looking for someone new. You slide back in your usual seat at the Living in the Solution meeting at the Loft, a small but airy room over the rec center atop a hill in Strawberry. You have a diet coke in one hand and three chocolate chip cookies in the other, both qualifying as “lesser addictions.” You have many more of those.
Joan, a 70-year old former model and fashion entrepreneur, is sharing about the ongoing struggle with her sister. She loves and hates the woman in equal measures.
You can relate.
Despite animus, Joan and her sister do not desire to break off relations. Instead they fought, enduring the pain each inflicted upon one another. Choosing it over abandonment. You guess sisters are different that way. They are bound in ways you’ll never understand. Your wife was tight as hell with hers.
At first you didn’t like Joan. She came off like a bored, rich lady in Marin (which she was); her petty shares struck you as “leaves in the pool.” She lamented the men who took over her company when she was too drunk to run it. Even though they had paid her millions. She cursed her sister for not giving her enough credit in building their fashion empire then blamed her for the drinking that lost it. Then there was the dog she almost ran over in her BMW, while drunk. Other indignities half remembered. Joan spoke in a drawl that made her sound both queenly and oddly still drunk.
This bothered you until it didn’t.
You came to realize that all difficulties were leaves in the pool: Yours, hers and everyone else’s. People fell in and out of love or had others fall in and out of love with them. Lost family and money (“romances and finances” as they said in AA) and more and so on. All was petty. But if a thing made you drink it might as well have been the apocalypse. You were wrong to have judged Joan. Furthermore, you had judged her wrongly. In a lovely turnabout, you and Joan became close. Developed a rapport. You admired her. She hadn’t relied on a man to get all she’d gotten. Despite the wine and cocaine (her drugs of choice), she’d done well for herself, by herself. She’d earned her house in Tiburon same as her seat in AA. Now you are glad to see Joan when she comes in the door. You save her a seat next. You smile at the smell of her perfume.
At the Loft, most of the regulars are at least 50, many much older. Words of death and dying take up evermore meeting time. Yet, Joan seldom goes there, another reason you liked her. As for the specter of death, you’ve come to believe that if one is serene it too is just a leaf in the pool. But most people are not inherently serene. And you are no exception.
Joan concludes her share by saying she’s grateful for the “sometimes-grace” she’s received while dealing with her sister. It’s an ongoing struggle, she says, as most struggles are, but she is overcoming her resentment, and is staying sober, one day at a time.
Sometimes Grace.
This is what AA is all about. When things go sideways or even well, you don’t drink or use drugs. You keep sane. You know peace. You look forward to living another day.
Despite your troubles, the leaves in your pool, you’re glass is almost always half full. You are strangely happy. Was this grace? Unlike many AA’s, you doubt that it’s God. But you are certain the Program has something to do with it. People like Joan.
This afternoon, you don’t share your problems. Instead, you talk about your wife in favorable terms. “We have been married over 20 years,” you say, with genuine wonder in your voice. “And we have stayed that way, for better and worse. Through it all.”
For the record, you are petrified of death. How it will come for you. What you will have missed when it does. All the things you will never know. Those are the leaves in your pool.