World War Z: Why Brad Pitt’s zombie thriller is neither.
June 24, 2013
Though I studied film in college, and wrote film criticism for three of my university newspapers, I don’t do movie reviews here. However, I do use movies as reference. Often. Personally and professionally, they are a constant source of inspiration. They are for a lot of people. Perhaps more than any other medium, movies shape our popular culture. And in doing so the advertising that permeates it. Like ads, films are accessible to just about everyone. Indeed, when they first came into being movies were made primarily as entertainment for the lower classes. Not as art, per se but so working people could escape from the dreariness of factories and the weariness of farms. The upper classes went to museums and the opera. Until they realized movies were a lot more fun.
Fade to black.
Yesterday, I took in a matinee of Brad Pitt’s apocalyptic thriller, World War Z. Having read the book several years ago and being a major fan of horror (in particular zombie horror), there was zero chance of me not seeing this film. If I didn’t have family responsibilities I would have likely been among the very first.
I’m sure Mr. Pitt and his many nervous backers hope there are plenty more just like me. Reasonable assumption -at least when the film scoped at south of 100 million dollars. After all, zombies have been the new it girls of horror for some time now. From no-budget snarlers to A&E’s The Walking Dead, reanimated corpses have been animating popular culture in frightening proportions.
Alas, the troubled film cost over 200 million bones to make. There are not enough fan boys on earth to cover that spread. Which is how I fear this film got into trouble. Trying to capitalize on Pitt’s fame. Trying to capture female viewers. Trying to be all things to all people so as to get box office, World War Z comes off as a middling thriller and a mediocre zombie movie.
One need only look at the PG-13 rating to know WWZ was doomed. With VERY FEW exceptions you just can’t make good undead horror for less than an “R.” For one thing, you can’t show the carnage, which I feel is absolutely necessary to the genre. This film doesn’t. To put it bluntly no one gets eaten in this film. Hell, I don’t recall even seeing blood. On behalf of fan boys everywhere: WTF?
Yet, the film is just intense enough to keep a shit-ton of normies out of it as well. Granted, films like Zombieland and Warm Bodies and shows like The Walking Dead have opened doors to the genre few had thought possible: women, children and happy people.
But not 200 million dollars worth. Case in point, the matinee I saw was less than one third full. And it was raining out! Not a good sign for an aspiring blockbuster in its first week let alone a good horror movie.