Old farts! Damn kids!

Is there a right or wrong age to work in advertising? We often hear it said that advertising is a young person’s game, usually in a sentence with “man” and, if we’re being honest, “white.”

But let’s stick with age. I’ve written about the topic before, on this site and elsewhere. Reactions were many and vigorous. Like any “ism” ageism is controversial, inviting strong opinions. But is it as pernicious as sexism and racism? I wonder. Right now we seem to be getting mixed messages, at least as it relates to our industry. There is a persistent call to remove all “the rich, old farts from big dumb agencies.” These voices get pretty loud and angry. Shame. Because when they’re not obscene, they actually make good points. Are our leaders out of touch? Do they still think in last century paradigms? Men of a certain age… Are we passé?

However, many of these same harsh voices also criticize the younger members of our tribes, calling them sophomoric and juvenile. They ask: What happened to craftsmanship? Cannot anybody tell a coherent story anymore? The creative department has become a den of hooligans, fan boys and twits.  The so-called “frat boys” at Crispin Porter & Bogusky are good examples. Are they great or are they are scum? Most certainly they are young.

So which it –an old boys network or a frat house?

Either way, the debate gets ugly. Of course, neither side is right or, for that matter, wrong. What’s odd, however, is that many industry critics seem to be talking out both sides of their mouths. It’s ‘out with the old’ one day and ‘stupid kids what do they know?’ the next. I guess only people between the ages of 25 and 35 are suitable for employment. Everyone else get lost.

Well documented are African and Native American tribes who value the wisdom and experience of their elders. Alas, many tribes don’t, particularly in the modern world. Particularly in advertising. We are a youth culture. Being young and beautiful has become a skill set. Strength is appreciated over wisdom.

The animal kingdom calls this the circle of life. Survival of the fittest. Changing of the guard. Nature is rife with examples. The top dog always has other aggressive, younger dogs nipping at his heals. A pride of lions can only have one king. Eventually, a new sire emerges. It is not a pretty process.

Civilized society is supposed to be above all that…

Here’s what I want from my agency workforce: wily veterans and feisty colts. If both groups remain teachable (to one another and to the outside world) the tribe thrives. Good leaders, then, are hybrids. I like to think of myself as a feisty veteran! How about you?

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The Race Cards. Can you spot the ad?

What to make of the new Six Flags campaign? You don’t need to go far to get an opinion. Go online or ask anyone who’s seen it. It’s polarizing work.

The ads feature a rowdy young Asian, who loudly interrupts uber-lame scenes yelling “One flag! No Fun!” At subsequent images of an exciting park ride, he returns, exhorting: “Six flags! More Fun!” Each spot is more or less the same. Crap activity gets a low flag. Park rides get six. It’s not a bad idea. Using the park icon as a rating system for summer fun (or lack thereof) is solid. And if not for the blatant stereotyping (Chinese? Japanese? Korean?), I’d give the concept four or five flags.

But there’s the matter of the screaming Asian. On a base level, he’s what makes the spots stand out. But like Al Jolson, belting out tunes in black face, the man feels drawn from something pernicious -World War II propaganda. He’s Charlie. Or the Chinese Dry Cleaner. Would these spots deliver without the exaggerated caricature? I’m sure the agency looked at countless guys. And I’m sure he was the funniest. Regardless, using him in that way was, in my opinion, wrong.

But am I wrong? When Krusty the Clown resorts to aping a Chinese waiter to get laughs, is that permissible use of the stereotype? In this case, it’s satire. Krusty is a desperate buffoon. The audience (us and his) loves to hate him. Like Archie Bunker, this lovable loser teaches us a lesson about the human condition and our character defects. Or not. Sometimes I just think Krusty is one hilarious bastard. Going full circle, how come Jolson got no leeway here? Is it because he was advocating racism with his performance?

In any event, it’s pretty clear advertising does not have the same freedom to offend as entertainment. Since we are not choosing to watch the Six Flags commercial, we are offended to have this material thrust into our living rooms.

Remember the hullabaloo over the maybe homophobic Snickers commercial aired during the Super Bowl? If that bit played on a Fox sitcom it probably wouldn’t have gotten a laugh. As a TV commercial, on the big stage, it became a cause celebre.

Finally, even the creators of content operate and are judged by different standards. Would the “Funny Asian Guy” draw as much negative publicity (in our industry, anyway) if he were a Crispin Porter creation? The Burger King creeps a lot of people out and baiting stereotypes is just one of the reasons why. “Wake up with the King” was a campaign that clearly pushed homophobia buttons in young men. But instead of wanting him off the air ASAP, we accept the Burger King as a perverted, sadistic weirdo.

So why not the Funny Asian Guy? Maybe it’s all too subjective to have a legitimate debate. Of hard-core pornography, Potter Stewart shunned an actual definition: “I know it when I see it,” he famously said.

I kind of feel that way about the Funny Asian Guy.


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