Yours Truly hosting the Obie Awards in Los Angeles. An honor, a privilege and a whole lot of fun.
May 23, 2013

Feeling blue (in a good way) w/ local LA choir performing in background…
Thought I’d reflect on my 15 minutes of fame hosting the Obie awards Tuesday night in Los Angeles. For those unawares, the Obie’s are the oldest advertising awards show in the world (seriously!), representing the best work in out-of-home media. The Obie’s are a big part of the Outdoor Advertising Association of America’s (OAAA) annual convention.
I have been a friend of the Obie’s & OAAA for many years and am a proud member of its Hall of Fame, for my “Curiously Strong” Altoids campaign. At the Obie’s in 1996, Altoids won its first of many creative prizes in our industry, thus beginning my long relationship with the show. That was a long time ago. Unfortunately, I recall being pie-eyed at the ceremony and little else. I gave a horrifying acceptance speech. Thank God You Tube was not invented yet.
Fortunately, I was clear-eyed and present this time around. Good thing as I had a job to do. While my primary purpose was to help steer the show along I was also given ten minutes to talk about some of my favorites subjects: signs, propaganda and their many roles in popular culture. I’ll likely post that content soon enough so I won’t go into it now. I will say that unlike any other media, outdoor advertising transcends time, technology and culture. ‘Signs’ are innately human and part of our collected DNA. Since early man first scribbled on cave walls several thousand years ago we have been using signage to communicate and advertise. By comparison broadcast is a moment in time and digital a blip.
Some highlights from the event are as follows:
Best of Show went to Droga5’s touching work for Prudential Financial, celebrating retirement on a very personal level. Part of an integrated campaign, billboards elegantly used quotes from various retirees.
This year’s Hall of Fame award went to ESPN for its long history of creating amazing advertising. No question ESPN deserves the award. Frankly, for creating great advertising in general. However, I have to say it was awkward reading about massive layoffs at the network on the very same day.
A personal highlight was witnessing art director Ed Odyniec, receiving a Gold Obie for his terrific OOH execution of the Allstate’s “Mayhem” campaign from Leo Burnett. Ed worked for me at LBWorks. Heartfelt congratulations to both he and his creative partner, Christopher Warmenen. Below is a video they created especially for the show. That’s Ed brilliantly cast as a nerdy lab scientist.
The day before the Obie awards Governor Jerry Brown made an impromptu visit to the convention. He gave a short but entertaining speech, where he extolled the virtues of outdoor advertising. His one piece of advice: Keep it simple. “Vote Jerry Brown… It worked for me.”

Governor Brown heading for the stage…
It must be gratifying to the OAAA and all the outdoor media purveyors, suppliers and vendor just how healthy their coral reef actually is. One need only look at the Obie winner’s list to see the robust mix of big brands and edgy new comers from both the client and agency side.
The Obie’s may not be in the same league as Cannes or The One Show in terms of prestige but no other medium is as exciting, versatile and vigorous as OOH. Period. And few awards shows are as meticulously planned and plain fun.
Social media has effected how corporations behave. For example, the way it has cajoled (or in some cases coerced) big businesses into acting like nice people instead of faceless, corporate entities. What choice do they have? With everyone and their brother potential whistleblowers it is no longer feasible for corporations to maintain a façade. It’s too easy for the world to see inside. And if the inside of a company does not match its outsides (i.e. marketing image) this creates a level of conflict potentially ruinous to the firm.
Yet, big companies are reluctant to let go of old ideas. It’s not in their conservative natures. Especially when it comes to public relations. Transparency is uncomfortable. Businesses do not want to reveal their proprietary secrets –the Secret Sauce! Nor do they want internal debate and/or dysfunction made public, i.e. a bumbling CEO or battling board of directors.
While publicity and success go hand in hand, exposure makes everyone nervous. The word itself implies vulnerability, like ants under a magnifying glass. But once firms accept the two-way glass much good can come of it. For them and for the communities they reside in. For example, fast food marketers own up to their unhealthy menus and begin providing nutritious alternatives. Whether they want to or not. In reality, these good-for-you items have, in many cases, become highly profitable: a win-win for all parties.
Another example comes from corporate giant, Kraft Foods. Perhaps feeling internal and external pressures, some years ago the company began embracing social causes, in particular those aimed at reducing hunger. Now Kraft spends countless millions of dollars on behalf of Feed The World and other such organizations. McDonald’s wages campaigns against child obesity. As David Jones (Global CEO, Havas) points out in his recent book, “those that do the most good win.”
Indeed, “doing good” is now a corporate mantra. For obvious reasons, marketers are compelled to talk about their good deeds. While it does shroud altruism in a self-serving aura, so what? The deeds are getting done. Heightened social conscience of corporations is a good thing. A great thing! But it might not have occurred –certainly not as quickly- without the relentless “peer pressure” that social media brings to the equation.
Author’s Note: This post was taken from content I’d written earlier.
I won’t lie. Today was not a banner day at the office. I’ve been struggling with a couple super tough briefs. (I guess that’s why they call it work.) I’ve no doubt we’ll crack it. I have never missed turning in a homework assignment and I’m not about to now. But until I do: pain.
My workload has necessarily interfered with my ability to create a fresh post for this blog. That is rare for me. I beg your pardon.
Sometimes, when I’m feeling especially frustrated I make a gratitude list. I know it sounds corny but it really works. In times of stress I can forget how good I’ve got it: a healthy family that loves me, a good job in a fantastic city, a clear head and fit body and on and on. So many blessings! I feel better already. You should try it.
On that note, last week I rode my bicycle to work. I live in Mill Valley, which is about 15 miles from my office in San Francisco. The trip isn’t easy but it’s well worth the effort. The hilly ride comprises some of the most breathtaking (literally) scenery in the world. Coming home that evening I stopped along the iconic Golden Gate bridge and took these photographs.
And so how can I not feel like the luckiest man in the world?
Funny. As. Hell. Auto tune based on rescue of young women goes viral. Why are we laughing?
May 10, 2013
“Dead Giveaway” Auto Tune of Charles Ramsey
As horrifying details continue to unfold regarding Amanda Berry’s abduction by lowlife, Ariel Castro many of us are also laughing our asses off at the Auto Tune version of rescuer, Charles Ramsey’s now famous interview with a local reporter. For those unawares, Ramsey is the charismatic black man who helped rescue Amanda from the house where she and two other girls (now women) had been held captive, raped and abused for ten years. (PS: I mention Ramsey’s race because, well, he brings it up in one of his interview’s more entertaining moments.)
While the content Ramsey told the reporter was understandably dramatic, his accounting of it was also sensational ripe with provocative statements, great delivery and killer sound bites. The man is a natural. No one should be surprised to see him on Letterman or touting McDonald’s (a brand he name-drops numerous times during the interview). Straight up, the video is highly compelling. When converted to Auto Tune by nefarious online maestros it’s freaking hilarious. No way around it, the aptly titled song, Dead Giveaway created from interview footage is super entertaining. Frankly, I found it better arranged and cleverer than a fair amount of legitimate popular music. But that’s another story…
My wonderment is about creating content like this at all (much less being entertained by it) given the terrifying and extremely current circumstances. What are we to make of that? And it’s not just snarky young men finding amusement here. In my office even women were guffawing to the video. I would have thought rape and torture off limits for them.
So much for “too soon” even being a question. The parody song came out within 24 hours of the interview. I remember after 9/11 our nation required a fair amount of time before any sort of entertainment related to those events could be appreciated let alone made. Hell, comedy in general was put on hold for a period.
That was then. Online pranksters have multiplied like algae in the last 15 years. From the high-end producers (Funny or Die) to the entities making videos such as this one, it has become impossible to allow a grace period or time of mourning for anything at all. Assassinations. Terrorism. Rape. Suicide. Subject doesn’t matter and likely never will again. Competition for eyeballs is too fierce. If you don’t do the bit someone else will. And it will get shared and liked and followed until even your grandmother in Topeka has seen it.
That’s the world we live in. Have a nice day.










